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Posted

I'm definitely surprised by some of these results, though I didn't watch this contest so I can't say anything about if I think they were accurate.  Very pleasantly surprised by Hays, Barbers Hill, and Harlingen South.  They all surprised me with higher than expected placements.

Midlothian, Friendswood, and a few others are a bit perplexing to me.

Next year's 5A will look very different.  We could see some new faces in Celina and Panther Creek and if Foster is really moving down, I'd expect them to be in finals here.  Other than that, we will likely see some new faces in finals from our existing 5A groups and I think it will be an Area B vs Area F fight for the podium.

Posted
11 hours ago, WanderingTraveler said:

Lone Star: ANNNND we are firing on all cylinders right off the bat. Crazy huge sound right off the rip, and we have some woodwinds borderline sprinting across the field. Way to make a statement. Cool visuals as sorrunding the props as they move onto the field. Got some impressive mello runs in the opener, along with some trumpet articulation features. Backfield spread out woodwind arcs spacing is questionable right before the ballad. Great projection from the Woodwinds in their feature to open the ballad, into a very artistically done flute solo. Great backfield playing by the brass. Good clarinet solo to lead us into our ballad hit, well done. Guard work here is simple but effective. Ensemble visual work is good, few individual stick outs. Articulation, especially in the high brass is great in the closer. Great use of the field here, spread across the whole field. Bones really warm timbre in the final chord before running backfield and spreading these road tarps all the way backfields. This show definitely doesn’t lack content. What a journey. Definitely in my top 5 conversation, good job.

Nothing in this real-time review reads 9th to me. And it certainly doesn't read 11 in Brass, 12 in Woodwinds, 10 in music ensemble. Might I have expected lower visual scores after Lone Star's run today due to minor spacing issues? Olay, that would make sense. Except actually, visual and show design were Lone Star's saving grace tonight and music scores are what killed them. By all means, PLEASE help that make sense!

Do I think it's a conspiracy? Absolutely not. I'm truly just trying to understand. But, flip flopping after results (while calling the opinion "subjective") is a bit hypocritical and not super constructive.

Posted

Like having 2 area champs not make it when both had really good runs, that’s what doesn’t make sense. And ik it’s a different comp but to tell me they got worse, like idk. I’m not saying the judges don’t know what to do, like someone help me understand. Bc I felt the same way about some of the 6A results but I’m not trying to start something, it’s just somewhat confusing 

Posted
17 minutes ago, Tubalord11 said:

Like having 2 area champs not make it when both had really good runs, that’s what doesn’t make sense. And ik it’s a different comp but to tell me they got worse, like idk. I’m not saying the judges don’t know what to do, like someone help me understand. Bc I felt the same way about some of the 6A results but I’m not trying to start something, it’s just somewhat confusing 

I would agree with this, especially seeing Vista Ridges placement at both state and BOA… While there are some confusing results, I also do not hear the judges tapes and dont see things from that perspective. 

Posted
10 minutes ago, astronautika said:

Nothing in this real-time review reads 9th to me. And it certainly doesn't read 11 in Brass, 12 in Woodwinds, 10 in music ensemble. Might I have expected lower visual scores after Lone Star's run today due to minor spacing issues? Olay, that would make sense. Except actually, visual and show design were Lone Star's saving grace tonight and music scores are what killed them. By all means, PLEASE help that make sense!

Do I think it's a conspiracy? Absolutely not. I'm truly just trying to understand. But, flip flopping after results (while calling the opinion "subjective") is a bit hypocritical and not super constructive.

While I understand where you are coming from, Im never going to dog on anyone during my recaps. Im trying to construct a positive and informative audible replay of what happened for those that cant view the performance. Also, as I clearly stated, to me this is top 5 contention, this is my stance, and I don’t agree that it should be 9th (which is why I stated that I have no doubt that it will move up tomorrow). I think it was a bad run, not a nuclear bomb, they will still do well.

Posted
40 minutes ago, Tubalord11 said:

Like having 2 area champs not make it when both had really good runs, that’s what doesn’t make sense. And ik it’s a different comp but to tell me they got worse, like idk. I’m not saying the judges don’t know what to do, like someone help me understand. Bc I felt the same way about some of the 6A results but I’m not trying to start something, it’s just somewhat confusing 

Nothing is saying that they got worse. They just didn't exceed the levels of every other band in the contest. I mean, what you're insinuating is that we should just ditch preliminaries and put all of the area champs into a finals and call it a day, until the finals and all but one area champ is victorious. Some areas are deeper than others. You've been around long enough to know this.

Nothing said that bands got worse since area contest the competition just changed

Posted

Speaking from a more theoretical perspective, here... It may be frustrating, but there's actually a pretty deep-seated ambiguity in how the rubrics are to be applied in particular evaluations. It's true there's an element of subjectivity, if by that we mean judges are fallible and limited. But the very criteria themselves and the way the judges wield utilize them are ambiguous in ways which are usually glossed over when the results do not seem anomalous. How to match a performance element to a number or placement is massively "underdetermined." (It's just as true in music as it is in the sciences.) For instance, how much distinct performance elements of the same kind (this good crescendo, that iffy decrescendo) should be weighed against each other is not amenable to precise calculation. At some level of precision, it's an educated vibe check, and for the most part that's good enough. It's when we get the seemingly anomalous results that we begin asking questions, although the ambiguity was there all along. The range of legitimate interpretation in this activity is probably much wider than almost anyone would like to admit. And it's multiplied by the fact that there's different adjudication systems, too. 

That said, it's not wrong to think that the range should be narrowed in at various junctures -- in fact that kind of discussion is a sign of a community's healthy awareness of shared norms -- but it's also wrong to assume that the missing precision which can trigger anomalous scores is a precision which was in principle available to the judges, or even the chief judge. For instance, it's not impossible that good judging reveals the limits of current judging practices in novel situations (e.g., Hebron at GN 2015), limits which only afterwards reasonably fall into focus so as to be remedied (top half/bottom half). And it's also another matter as to when there's enough of an anomaly that there's a paradigm shift in adjudication expectations. I imagine that, most frequently, designers and educators just change what they're doing and avoid the issue if they can, rather than insist that a particular style be judged/interpreted differently. Or they go to different contests which understand better what they're trying to do. Perhaps for that reason, notwithstanding the nice boxes and terms on the adjudication sheets, differences in judging seem to change more over time rather more like language drift than constitutional amendments (although either can happen). 

I'm just a band fan, so I really can't speak to the concrete details one would hear on the judging tapes for tonight. But I thought to point out how wide the range of legitimate interpretation really is. 

Posted
4 hours ago, Tubalord11 said:

Like having 2 area champs not make it when both had really good runs, that’s what doesn’t make sense. And ik it’s a different comp but to tell me they got worse, like idk. I’m not saying the judges don’t know what to do, like someone help me understand. Bc I felt the same way about some of the 6A results but I’m not trying to start something, it’s just somewhat confusing 

Which 2, Tuba??

Posted
7 hours ago, BugWub24 said:

I've been following the enrollment numbers being posted on the Dave Campbell website. This rumor sheet is fairly accurate, although there are some mistakes in here. Azle, College Station, and Sherman are not moving up to 6A - each of those schools are all under 2,200 in enrollment, and the cutoff won't go down that much.

All of those LISD schools mentioned are indeed moving up to 6A - all reported enrollment over 2,300. Lake Belton is at 2,253, so we will see with them, but I think they will move up.

Celina and Panther Creek are for sure moving up to 5A.

Leander’s snapshot enrollment went down and is listed as 2263 so not sure that’s a given, although the cutoff could be even lower. 

Posted
6 hours ago, MikeKyu said:

Nothing is saying that they got worse. They just didn't exceed the levels of every other band in the contest. I mean, what you're insinuating is that we should just ditch preliminaries and put all of the area champs into a finals and call it a day, until the finals and all but one area champ is victorious. Some areas are deeper than others. You've been around long enough to know this.

Nothing said that bands got worse since area contest the competition just changed

No yeah I know, and i definitely know how some are deeper than others, thats less of the point. And Ik you can’t use area results to predict this because to your point, some are deeper than others. I just find it hard to believe some bands got certain scores in certain categories, but that’s just me. Everyone who made finals deserved it 

Posted
40 minutes ago, natertater21000 said:

I won't comment on a lot of what is being said but there are a few things I think that it is important to consider when loking at these results. 

First and foremost, results from area. I'll go on record as someone who does not think that area results should just be thrown out the moment they are recieved because I think there is some valuable information that can be gleaned from them. That being said, Area was two weeks ago for 5A bands. That is 24+ hours of rehearsal time ago, which in an efficient marching program is A LOT of time to improve things. It does not surprise me that a band like Argyle has managed to peak at state and pass up some bands they were behind 2 weeks ago. 

Secondly, rubric and judging differences. The state rubric is very different from even the new area rubric that we have. Each judge is judging their specific caption and that caption ONLY. A wide variance of ordinals is to be expected for most bands. The champion is unlikely to have this variance because that is the entire point of this judging style. The band who is most likely to win is the one that is strong across the board. Using Leander as an example, 2nd in ensemble, 4th in woodwind, and 9th in brass is not all that surprising. Enesmble music is a lot more than just who had the loudest impact, Woodwind is a lot more than who played the most notes, and brass is a lot more than who did the most double tonguing. 

Lastly, the one that people like to leave out/talk about the least. Bands at the high school level, even at the highest levels, are not immune to having a less than optimal run of the show. This is especially true in an environment like this. For some of these bands this was their third run through this year in the dome, for others it was their very first. 

There are a lot of factors that contribute to a bands placement. Seeing a placement you disagree with, and reacting with "The judges are obviously wrong and bad" without taking all of these factors into account is the wrong way to go about it. 

You do have valid points but I wanted to correct one thing: Area was just 1 week ago for this group so that is 8 hours of rehearsal time (plus minus football games and BOA if they did that).

Posted

Just curious: looking at the grading sheet makes me wonder: what is ultimately the point of UIL competitions? Are they grading students or band directors? "Content and design" - isn't this more dependent on which show designer a band program was able to afford rather than students' skill?

 

(This is not meant to contribute to the discussion on this contest's results - just a side question).

Posted
3 minutes ago, Tbcord140 said:

Lakeview Cen10 lowkey got robbed... nobodys gon say this but imma bring this up...

I mean, they were only a third place finisher in Area C, which is nowhere near as competitive as some of the other areas.

There are just A LOT of bands competing for only a few spots. Many very good bands didn’t make the cut. This is the elite of the elite. 

Posted
1 minute ago, GarbagePatchKid said:

I mean, they were only a third place finisher in Area C, which is nowhere near as competitive as some of the other areas.

There are just A LOT of bands competing for only a few spots. Many very good bands didn’t make the cut. This is the elite of the elite. 

Oh no, I didn't mean state finals... I meant like top 20

Posted
5 minutes ago, KickSomeBrass said:

Just curious: looking at the grading sheet makes me wonder: what is ultimately the point of UIL competitions? Are they grading students or band directors? "Content and design" - isn't this more dependent on which show designer a band program was able to afford rather than students' skill?

 

(This is not meant to contribute to the discussion on this contest's results - just a side question).

Content goes much, much deeper than that 

how effectively were the performers utilized?

handling of simultaneous responsibilities 

creativity, originality, and imagination

Variety of expressive elements

Content that challenges

sense of flow, pacing

suitability of music and visuals

nuance, artistry

professionalism

frequency/demand of movement while playing

content with respect to challenge 

involvement

communication of music/visial elements

theres more. I took this straight from the judging sheets, which you can find online 

https://www.uiltexas.org/files/music/State_Adjudication_Sheets.pdf

 

 

Posted
9 hours ago, AreaFMaxxing said:

from what im seeing, they used a predominant mix of boa judges and dci judges this year, really odd overall.

This is how most band competitions of a high caliber are judged around the country? 

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