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DCI Show Anouncements 2019

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Well, since announcements are beginning to trickle in, I thought I’d create this thread.



Here is what I know so far, feel free to add.


Troopers - Beyond Boundaries

Music City - Of Mice and Music

Seattle Cascades - Off the Grid

Phantom Regiment - I am Joan


Things are starting to ramp up!

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Boston Crusaders 2019 — “Goliath”

The Biblical account of David and Goliath is a classic lesson of courage, wisdom and perseverance. Today, the phrase “David and Goliath” refers to an underdog scenario; a competition where a smaller, weaker opponent faces a much larger and stronger adversary. Through careful planning and enormous human will, the “David” character finally defies overwhelming odds to emerge victorious.

The Boston Crusaders display and develop the inherent drama and emotion of this underdog story. Drawing on familiar themes from literature and film, contrast and scale literally and figuratively set the stage for this epic portrayal. The 2019 production delivers a powerful combination of variety and conceptual continuity while guiding viewers through the life-long process of innocence, preparation, and conflict to arrive at the ultimate moment of truth.

Repertoire Includes:

Enough of Our Machines – Son Lux
Everybody Wants to Rule the World – Tears for Fears (Roland Orzabal, Ian Stanley, Chris Hughes)
On the Shoulders of Giants – Peter Graham
Giant Steps – John Coltrane
My Shot – Lin-Manuel Miranda
Fanfare for Rocky – Bill Conti
Once Upon a Castle – Michael Daugherty

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The Cadets are proud to present their 2019 production Behold. The show illuminates the struggle to attain power, keep power, and ultimately, the power of equality. Libby Larson’s 'Fanfare for the Women' opens the show and celebrates the powerful, intelligent, and brave women of the past; personified by a single character, the Queen.

“Behold is, by definition, a command for respect and is often used to introduce something remarkable or impressive. The design team wanted to honor the remarkable story of resilience, strength, unity, and healing for The Cadets and for all women in our activity and our country, as we celebrate the 50th Anniversary of women in The Cadets in 2019,” said Darcie Aungst, Program Coordinator. “I was intrigued by women in history who lead entire nations as far back as Ancient Egypt and Rome; often pondering the question, what happened? Why in 2019 is it a struggle? This show explores that history and those questions. Behold tells a tale of female strength and leadership, the ugliness of jealousy, discrimination, and power when it is held over others. The show points triumphantly to images and sounds of true equality and opportunity for everyone regardless of gender, race, orientation, identity, or ethnicity. Shattering the glass ceiling opens opportunities for everyone who has been told they are ‘less than’ and leaves our world a better place for future generations. Behold the power of unity, of equality, and of The Cadets!”

'Just' by David Lang and 'Blueprint' by Caroline Shaw soon follow as we see and hear cracks in the palace which signal the end of the Queen’s reign. The breakdown is followed by the chaos that occurs within a complete vacuum of power. 'Dance 1' of the Estancia Orchestral Suite by Alberto Ginastera then sets the scene as the corps breaks into tribes with the intent of taking power from others. Divided by their differences, everything is destroyed.

'Bridge Over Troubled Water' by Paul Simon washes over the corps as the Queen comes into focus, witnessing the destruction of what she had created by those filled with jealousy. She accepts the destruction wrought by those who stole from her and begins to heal her people, bringing them together, and undertakes the rebuilding so that they can move forward. She both heals and passes the torch so that future generations can have a better life.

Following the healing of the past, the future generation gets the opportunity to do and be anything they want. 'Do Better' is an original piece by Tom Aungst, Omar Carmenates, and Brandon Carrita that is meant to be a playful, modern, young, and fresh take on the concept that anything you can do, I can do better. If the past generation does something; we want the future generation to do even better. The finale from David Maslanka’s 4th Symphony provides an emotional, glorious, and majestic closer where the diverse women and men of the corps stream forward to shatter the glass ceiling. This act empowers people who were never before given a chance to step up and lead. With this diversity of gender, identity, race, ethnicity, orientation, and age comes new ideas, innovations, celebrations, and respect.

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